Showing posts with label Groove Metal. Show all posts
Showing posts with label Groove Metal. Show all posts

Saturday, 5 September 2015

Album Review; Five Finger Death Punch - Got Your Six


Released Via Prospect Park
Genre: Groove Metal


Track Listing:

1. Got Your Six
2. Jekyll And Hyde
3. Wash It All Away
4. Ain't My Last Dance
5. My Nemesis
6. No Sudden Movement
7. Question Everything
8. Hell To Pay
9. Digging My Own Grave
10. Meet My Maker
11. Boots And Blood


Five Finger Death Punch have been real contenders for the big metal throne since their inception. It felt like only a matter of time before they followed in the footsteps of the metalcore-transcending Avenged Sevenfold and played Wembley Arena and headlined Download Festival. Their Wembley date is fast approaching, and I'd easily bet on them being a good shout for that festival headline slot in 2017 if not '16. The only thing that remains is to see whether or not 'Got Your Six' is the album that should be taking the band to these heights.

The opening title track is the kind of muscular throw-down that you would expect of FFDP, and a good ode to mosh pit mentality that is bound to set bodies flying even in the esteemed Wembley arena. 'Jekyll And Hyde', on the other hand is exactly the kind of track that makes you err and umm about this band. People talk about how their music is dumbed down, but this track is really shameless when it comes to this, and sees Ivan Moody repeating lines that have been used in previous albums. I mean god damn, it's catchy but that doesn't help the cheap taste it leaves in your mind.

Following two tracks 'Wash It All Away' and 'Ain't My Last Dance' are about as close to balladry as the band has ever gotten, though the latter still has moments of chunky riffing that help it along a bit. Ultimately, while it is nice to see a band show their lighter side, people look to FFDP for knuckle-headed workout anthems. 'My Nemesis' is a bit closer to this, but still contains the kind of self-pity in its lyrics that can make some post 'American Capitalist' songs drag a bit.

'No Sudden Movements' has more bit to it, complete with a good rhythmic drive and some of Ivan's better growled roars. An interesting riff that differs from Zoltan Bathory and Jason Hook's usual chug-like-an-industrial-train style. It's more the kind of song one expects of the band that set fury to the road with 'War Is The Answer', whilst offering a little twist on the usual formula. 'Question Everything' has moments of good propulsion to it as well as those lighter verses that just don't quite translate. It's not the clean singing, before that assumption is made; Ivan's singing voice is great but the song itself just doesn't feel focussed enough.

'Hell To Pay' is a little more in line with the band's earlier years, and is all the better for it. Catchy, well written and strong enough to start justifying FFDP's lofty position. 'Digging My Own Grave' goes back into ballad-territory, though it has a much more honest feel to it than the previous ballads on this album. 'Boots And Blood' on the other hand is easily the most aggressive thing on this record. It's constantly profane and a big middle finger to those who have wanted this band to fail. If you're looking for the word "Fuck", this is where you'll find it. You might just get to vent as you do.

There is a lot to fault with 'Got Your Six' and it's clearly not the band's best record. It's better than the second half of the double album that they released but there are too many of those whining songs that we've heard this band do a little too often, and very rarely with as much impact as 'The Bleeding'. Are Ivan, Zoltan and the crew trying to prove that they're more than purveyors of anger and violence? Perhaps, but I think I would rather that they did bring some more of the brawn of the first two albums. When they sound angry, they really do but it isn't present often enough on this album. I've seen this band live a good many times and I have long been willing them to succeed but if this is the terms they are succeeding on then I'm not entirely sure that they wont lose as many fans as they gain, as this album comes across more as a hug than a death punch.


Rating: 6/10

Links: http://www.fivefingerdeathpunch.com/
          

Monday, 17 August 2015

Album Review; Dagoba - Tales From The Black Dawn


Released Via earMusic
Genre: Groove/Industrial Metal


Track Listing:

1. Epliogue
2. The Sunset Curse
3. Half Damn Life
4. Eclipsed
5. Born Twice
6. The Loss
7. Sorcery
8. O, Inverted World
9. The Dawn
10. Morning Light


Just when grand opening of ‘Epilogue’ makes you think that this album is going to explode into a huge stomper of a song, it becomes a let-down to hear that there is something a little soulless about ‘The Sunset Curse’. For all it’s industrial elements, it doesn’t deliver the right punch in the face that such a sound usually does. The symphonic elements are alright, if a little uninspiring, but the low-end guitar notes don’t sit high enough in the mix to give the song the ability to curb-stomp you. The same thing applies to ‘Half Damn Life’. Vocally, the shouts are decent enough, though they lack the kind of characteristics needed to embed the songs in your mind, whilst the clean vocals are like a cheese grater to the ears. The songs are presented in a tight enough manner, but there is just something missing. It also becomes apparent that Dagoba are a bit of a one-trick pony by the time ‘Eclipsed’ kicks in. Every song on the record has not just a similar feel, but the exact same feel, which truly stunts the growth of the record. We all have the bands from whom we want to hear a specific sound, but a band like Dagoba, who cite such a wide range of musical influences from classical music right to black, death and power metal, should be putting these tools to use in order to create an album with a lot more dynamic capabilities than this. Poor songwriting and a lack of imagination is the downfall here. Hopefully, Dagoba can do better next time.

Rating: 2/10

Links: https://www.facebook.com/dagoba13
           http://www.ear-music.net/en/label/