Showing posts with label Nuclear Blast. Show all posts
Showing posts with label Nuclear Blast. Show all posts

Monday, 7 September 2015

Interview; Schmier (Destruction, The German Panzer)




“They called me up and said ‘Hey, we wanna do a project and we need a singer’ and I said ‘Why did you call me?’” He laughs, “‘We need a singer and a bass player! We want to do something fun and we’ve got some time right now’ and I said yes because I’ve known the guys a long time, I’ve been a big Accept fan in the past. It was an interesting offer for something new. After that we met and we wrote songs really quick after we talked about the direction of the band. We wanted to go more with British heavy metal; Motorhead, Priest meets Accept, a little German here and there. It was exciting because we only had a time slot for four or five months before we all go back on tour, so we’ve been writing the whole time and recording right away. It was a fast process and we’re enthusiastic. There was a lot of great ideas, so the songwriting was very smooth. We love how it turned out in the end.”

Schmier, known worldwide to metal fans as the frontman for the thrash metal band Destruction is speaking about the new supergroup, The German Panzer and his enthusiasm for the band is audible in his voice. Germany is a country well known for producing some of the all-time great bands in metal’s long history, including Destruction, Kreator, Sodom, Accept, Helloween and Running Wild. So the news of this trio, completed by Herman Frank and Stefan Schwarzmann of Accept, should have any metal fan foaming at the mouth. The band’s upcoming debut album ‘Send Them All To Hell’ is a speed metal beast, all riffs, good pacing and very easy to bang your head to. However, this is more than a simple throwback project, as the song ‘Panzer’ shows, standing out easily from the record. The frontman explains;

“Songwriting sometimes works out of the blue, out of the feel. We wanted to write one more song that was like a steamrolling panzer, with the beat and everything. Stefan started with the beat and we put some guitars and bass on top of it. The song has a different vibe because we wrote it together as a song for the name of the band. Some of the other stuff sounds more traditional but we have a good mix of everything.”

The last few years have seen the formation of many a supergroup, and it’s no exaggeration to say that most of these bands don’t turn out as good as the list of people involved. The music often sounds forced, and ultimately forgettable. We needn’t worry though, as Schmier has already taken this under consideration in his approach, wanting Panzer to sound organic and honest;

“We’re all experienced and we’re doing something that we like.” He says simply. “I have also been a little bit concerned about all those bands forming right now, supergroups as you say, with this and that guy, and their stuff is really nothing special. We were aware that we needed to do a record that is ass-kicking. We’re all professionals and we put a lot of effort into the process of writing, studio and everything. And I think it pays off if you know where you want to go, and we all had the same idea behind it, it turns out well. I think it’s a really good constellation of people, otherwise it wouldn’t have worked out that way. There’s a certain magic in the air as it works.”

As stated earlier; it’s an easy record to get along with, but will we be able to experience it in the live setting? After all, all three members have their commitments with their respective bands to keep.

“We will definitely tour in the future, but it’s just that right now we need to start off slowly because both bands are touring. So with Panzer it’s possibly next year, definitely festivals if possible and maybe some more. We don’t know yet because we don’t know the schedule for both bands. I mean; we definitely want to play live, that’s really why we formed the band, so there will be shows coming up sooner or later.”

Good news then for those who fall in love with this album. As we were sat on his tour bus outside the Glasgow venue that he’s playing with Destruction very shortly, and since I am one of many Destruction fans present, I couldn’t pass up the chance to ask the Teutonic thrash titan what the future holds for Destruction;

“Our plans are basically to go to the places we’ve never played before. Even if it’s just Bristol, like yesterday!” He jokes, “Of course it’s more interesting when you play more exotic places that you’re playing for the first time. It’s adventurous. So we want to find new places to play. We played in India for the first time, and it was cool; a lot of new, young metal fans. The scene is small and growing, but it was very interesting. We want to play one day in an Arabian country, there’s a lot of metal fans there. We’re going to do an album next year, August could be possible. We’re going to write and record demos at the end of this year, and record at the beginning of next year.”

Speaking of 2015; any die-hard Destruction fan is going to realise that next year will mark the 30th anniversary of Destruction’s debut album ‘Infernal Overkill’, which has long been hailed as a classic of the thrash metal genre. Even now in 2014, it still stands as such.

“It’s crazy, you know? Because the fans still demand those songs all the time, so we always pick them up and put them back in the setlist. We’ve been playing those songs back and forth all the time. Of course, next year with the anniversary we’re gonna do some shows with some extra ‘Infernal Overkill’ material. It feels fantastic of course, the album is so, so old and it still has such an impact on the audience. I never thought it would be that way.”

That debut showcased a hungry young band determined to make their mark on an extreme metal scene that in its infancy back then. However, fast forward to the band’s most recent albums; 2011’s ‘Day Of Reckoning’ and 2012’s ‘Spiritual Genocide’ and all the aggression is still as potent as ever. When asked what keeps the thrash metal fury burning within him 30 years after the initial album, Schmier had some choice words about the effects of the passing years on thrash metal bands;

“I think a lot of bands make the mistake when they grow older of settling down, getting slower, but we’re a thrash metal band, you know? We want to compete with the young and wild bands, we’re one of the godfathers of thrash, so you have to be a role model. We’re the living proof that a band, when it grows older can still go full speed ahead and write albums that sound fresh and sound young. We don’t wanna sound like an old band. What happens a lot of times is bands get a certain age, they slow down and they kind of get more melodic or whatever. Destruction; we have a quality name and our fans expect something wild from us and to keep on kicking your ass. The live shows keep us bound with the fans, and when you don’t play it’s more difficult to adjust for an album but we play a lot, so we’re all still in shape and we know what the fans like.”

As it happens, Destruction’s opening bands included two fresh faces on the thrash metal scene; Finland’s rebels Lost Society and the UK’s own Shrapnel. Schmier remains very optimistic about the state of the thrash scene in the present day;

“It’s great to see all these young bands playing thrash metal again because I remember when Destruction came back with me in 1999, there was no thrash bands, no young thrash bands, none! Name me one? There was none! Then the first albums came out and interviewers kept asking me ‘Where does thrash go?’ ‘What is its future?’ blah, blah. I said; ‘I don’t care, we’re here, we’re back with me and we’ll try to write good music, we’ll see what happens. Then somehow, all the other thrash bands also all came back around the same time with new albums, Kreator, Sodom, and somehow there was a new feeling for thrash in the young generation. All of a sudden, out of the death metal dust there was a lot of young bands forming at the beginning of the 2000s. It’s great to see them, they remind me of when we were young; we also didn’t clean up the tour bus!” He laughs heartily, “There’s a whole new young and wild generation and it’s great to see.”

Since the man himself mentioned Kreator and Sodom, two of the other three bands that join Destruction as The Big Teutonic Four of thrash metal (The fourth being Tankard), I couldn’t resist the opportunity to ask about the potential for the four bands to tour the same way that the American Big Four have done. Over the years it has been spoken about, and the rumours have flown around the internet time and time again, but is there any chance?

“Yeah, I hope so! We’re ready for it. The other bands just have to let us know when it’s gonna happen and we’re ready to go. Hopefully in the next years, we’ve already talked about it already back and forth last year but it’s not easy with time schedules and you know the fans put a lot of pressure on everybody, so we have to do it. Every interviewer asks me about it and all I can say is Destruction is sitting on the luggage and is waiting for the bus to pick us up for the tour! We’re ready to go!”

It goes without saying that thrash metal is a very physical genre as far as live performance is concerned, and at 47 years old, Schmier knows all too well the dangers of too much time on the road;

“We’re touring a lot but we also take little breaks in between. On the road for some weeks, at home for some days, we try to rest and get some energy. Touring is important to stay in shape, just don’t overdo it. You overdo it, it can break the band. You can lose interest and lose the fun. The way we do it; we play a lot but we still have our breaks and gaps where we can be at home and have some privacy. So it works well, you know? No rest for the wicked. We like to play, we like to see the world and it’s still a great opportunity after 30 years of doing this. It’s fantastic.”

To another 30 years, then?

“Ahh…If it’s possible, but it could be very tight! But you know, Motörhead are still playing, Black Sabbath are playing. So that means for us there’s at least twenty years. It sounds ridiculous when I think about it but it’s possible. Seeing how fast the last fifteen years have gone after I came back to the band, it is crazy fast but; so far so good. We’re all still in health to do this and one day. So hopefully for another fifteen or twenty years.”
 
Panzer’s debut album is out now on Nuclear Blast.


Links: http://www.nuclearblast.de/en/
           https://www.facebook.com/TheGermanPanzer


Monday, 17 August 2015

Album Review; Fear Factory - Genexus


Released Via Nuclear Blast
Genre: Industrial Death Metal


Track Listing:

1. Autonomous Combat System
2. Anodized
3. Dielectric
4. Soul Hacker
5. Protomech
6. Genexus
7. Church Of Execution
8. Regenerate
9. Battle For Utopia
10. Expiration Date


Fear Factory are unique within the metal scene. Off the top of my head, I cannot think of another band that sounds like them. Their long career has seen them go through highs and lows. The most recent high being 2010's 'Mechanize', which was a complete tour-de-force, backed up by the cannonade percussion of Gene Hoglan. Since then, Hoglan left the band and 2012 saw the release of 'The Industrialist', which was a fractured affair. Not a terrible album by any measure, but it definitely had something missing at its core. It lacked that certain spark that helped previous Fear Factory albums breathe and grow. For their new record, Cazares and Bell brought in Malignancy drummer Mike Heller.

As it happens, Heller was a great choice. He gels in well with Dino Cazares' mechanical, down-tuned riffing. Over this, frontman Burton C. Bell's barks and snarls weave their magic over opening track 'Autonomous Combat System', which begins this record's story of sentient machines living among mankind, and all its questions of religion, mortality, climate control and the essence of being human.

Without a doubt the music is very familiar to anybody who has heard Fear Factory, and there isn't much new to hear on this record, save for on the final track 'Expiration Date', which sees Fear Factory take us on an ambient journey. Before that, though, it is staccato riffs and triplet-based drumming wound super-tight and topped off with roomy choruses that feature the always superbly produced clean vocals of Bell. However, what helps this album is that the song writing has a lot more soul within it, it's been thought out more but not forced. The whole entity flows really well and each song has its strengths. It sounds like the album that 'The Industrialist' tried to be, and at times even sounds better than 'Mechanize', which is saying something since that album was one of my favourites of that year.

'Dielectric', 'Soul Hacker', 'Protomech' and 'Church Of Execution' are all the kind of powerful, pulverizing and thought-provoking metal songs that really bring an album like this to life. It goes without saying that the moral questions of Artificial Intelligence have been a hot topic over the last number of years as mankind seems to move swiftly towards that particular moral crossroads. 'Genexus', with its description of mechanization being a part of the next step in mankind's evolution shows how this band have presented the case both for and against this issue, while bearing the rebellious metal connotations within the songs, aimed at political systems, dehumanization and religion. Fear Factory are sharp again, back on track again, ready to grind your ears into dust again.

Rating: 9/10

Links: http://fearfactory.com/
           http://www.nuclearblast.de/en/


Album Review; Kataklysm - Of Ghosts And Gods


Released Via Nuclear Blast
Genre: Death Metal


Track Listing:

1. Breaching The Asylum
2. The Black Sheep
3. Marching Through Graveyards
4. Thy Serpent's Tongue
5. Vindication
6. Soul Destroyer
7. Carrying Crosses
8. Shattered
9. Hate Spirit
10. The World Is A Dying Insect


The Canadian death metal institution Kataklysm have been on a rapid ascent over the years. True enough, in their now fifteen year tenure with Nuclear Blast, Kataklysm are yet to disappoint with their studio output. Gaining recognition and fans bit by bit as they go. Without a doubt, 2013's 'Waiting For The End To Come' saw them climb higher than anticipated, gain immense profile and draw in the live arena. They have been no stranger to festivals over the years but the last two years have seen the band seemingly work harder than ever. Now, with their follow-up, many hope to see a return on all the interest the band have cultivated. This means that 'Of Ghosts And Gods' cannot disappoint.

This is a band that, though rooted firmly within the realms of death metal, have never been afraid to put the odd subliminal twist upon their output. Stepping out of their comfort zone and taking their fans along for the ride. 'Of Ghosts And Gods' sees the band proceed again to new grounds. While still heavy enough to please all comers, the record carries a lot more melody than its predecessor. Opener 'Breaching The Asylum' proves this all-too-well. The song is catchy, with a lyrical message concerning the madness of religion in modern times, showing that frontman Maurizio Iacono hasn't lost the desire to invoke thought within the listener's mind.

Second track 'The Black Sheep' takes the bands sound further afield, as its heavy, heavy riffing power is built around a super-thick groove the likes that one would expect of a band like Devildriver or Lamb Of God rather than this death metal outfit. Recoil from that statement, you may; but the effect is huge. This is a song that is an iron-clad live contender. Look out for the pits with this song. 'Marching Through Graveyards' is reminiscent of the first track, but with a satisfying blast beat that will take seasoned Kataklysm fans back to the band's hyperblast beginnings. The same applies to 'Thy Serpent's Tongue'. This is more akin to old school Kataklysm but it also has a groove woven through it which saves it feeling like a total throwback.

If anything, the presence of the super-speed drumming of Oli Beaudoin at various points through the middle of the album helps this record achieve more heaviness than we heard on 'Waiting For The End To Come', and the song writing on this record feels that bit more complete. The groove element may lead to some fans turning their noses up at this record, but those people would be missing out on a solid, cohesive and smooth flowing album. There may well be people out there that were hoping to hear an album's worth of songs that sounded like 'Elevate' with this record, but my ears are more than happy to hear Kataklysm refusing to repeat themselves.

At the end of the day these are well-crafted songs that bear a lot of substance, a lot of heaviness and even more staying power. It may be a grower for some, and I would urge those people to stick by this album. As soon as I learned that Andy Sneap would be taking care of mixing this album, I knew it would sound great, and it does. Everything is clear and full of impact. If anything, this record exceeds 'Waiting For The End To Come' and should see Kataklysm's steady climb up the mountain that is the metal hierarchy continue ever stronger. After twenty three years as the underdogs, I think its about time that Kataklysm have their turn at the crown.

Rating: 9/10

Links: https://www.facebook.com/kataklysm
           http://www.nuclearblast.de/en/

Wednesday, 12 August 2015

Album Review; Thy Art Is Murder - Holy War


Released Via Nuclear Blast
Deathcore

Track Listing:


1. Absolute Genocide
2. Light Bearer
3. Holy War
4. Coffin Dragger (Ft. Winston McCall of Parkway Drive)
5. Fur And Claw
6. Deliver Us To Evil
7. Emptiness
8. Violent Reckoning
9. Child Of Sorrow
10. Naked And Cold

After all the hype behind the previous album 'Hate', I was personally a little disappointed with the album itself. I found it to be two-dimensional. As for this new record, I found the complete opposite. I've been completely blown away by this record which combines razor-sharp and thought-provoking lyrics, massively heavy death metal riffs, melodic guitar subtleties and brilliant songwriting. As the album title and the harrowing artwork shows, this record blazes with anger at the modern state of socio-political affairs in regards to religion, with extra focus on the Middle East. Each song is a crushing assault on the ears and there are even moments of anthemic catchiness to be found on such songs as 'Holy War', 'Light Bearer' and 'Deliver Us To Evil'.

Vocalist CJ McMahon showcases his abilities fantastically throughout this album, proving that he can be a true powerhouse vocalist, delivering the lyrics with clarity, feel and seething rage. These songs will stand the test of time and will prove to be crowd-pleasing favourites in the live setting. This may just be the time when Thy Art Is Murder live up to their reputation and take a step higher in their climb to the summit of the metal scene, and they will do it with hordes of like-minded, furious fans at their backs. Their musical chops are clear, and their message is not only clear, it's a statement that needed to be said. Meet the new demagogues of extreme metal.


Rating: 9/10

Links: https://www.facebook.com/thyartismurder?fref=ts
           http://www.nuclearblast.de/en/